Rob Clouth is an electronic musician, sound designer, and new media artist based in Barcelona. Clouth makes a mix between techno music and IDM (intelligent dance music).
He uses various forms of programming to create his music. He uses sound painting, which means he sculpts sounds by painting their spectrums using a digitizer. I think this is cool, because it’s almost like reverse sound-making, because usually a sound is represented by a sound spectrum, rather than the spectrum being created first.
Clouth also carries around different microphones, just in case he hears a sound he wants to use in his music. He uses deep-ear binaural mics, waterproofed contact mics (I guess for recording sounds underwater), and a coil mic that picks up electromagnetic fields of electronic devices. I think it’s cool how he carries microphones around, similar to how a photographer carries a camera and lenses.
The video above is a piece form Clouth called ‘Islands of Glass’. I personally love how the visuals interact with what is going on in his music. I’m not sure how the visuals were made for this video, but Clouth has recently created another piece called ‘Transition’, which is shown in the video below. In this piece, Couth generates the audio with an algorithm that he wrote to scan through his music collection in date-order. The algorithm takes little slices of audio from each track and stitches them together to form one continuous mix. I like this piece, because the visuals were inspired by the growth rings on trees. Clouth loves how trees encode their own history with these rings, as well as the history of its surroundings.
I love how Rob Clouth combines audio and visuals so well. All of his videos are mesmerizing, and the audio is very unique. You can check out some of his other pieces on his website:
http://www.robclouth.com/#home