I focused this project on the “Poem Field” series done by Stan Vanderbeek and Ken Knowlton. Vanderbeek, whose education had been in art and architecture, and Knowlton, who was a programmer, were connected through the EAT or the Experiment Art and Technology organization to collaborate on a project.
Before their collaboration in the late 1960s, Knowlton had created an 8-bit graphic programming language called BEFLIX. This was the first program of its kind, and arranged grayscale pixels into a grid to create animations.
After Vanderbeek and Knowlton met, they worked on a series of projects from 1964-1968. It is said that their collaboration was difficult, and of the work they did, only some was completed through 1971. However, the work they did finish is fantastic. Specifically, Poem Field #2 is a perfect representation of a “computer generated acid trip.” https://www.youtube.com/watch?v=V4agEv3Nkcs
Their work introduced objects to the screen in blocks that allowed for patterns to be created through its interactions with other patterns. That is to say, this animation did not focus on the movement of objects but rather the accumulation of objects on the screen.
What I found interesting is this technique of how animation is created through the layering of images rather than trying to replicate motion. Poem Field is created using overlapping collages to create animation.
Although it seems very distant, this technology is still very relevant today. Sticking with the “acid trip” theme that Poem Field #2, the kind of graphics pioneered by Vanderbeek and Knowlton are replicated today in Electronic Dance Music or EDM. EDM artists are always using crazy graphics and lighting with their music creating new techniques just like Vanderbeek and Knowlton.
I also found this excerpt by Vanderbeek to relate to the video below on how EDM DJ’s are mapping lights to their body movements and music:
“Pictures can be thought of as an array of spots of different shades of gray. The computer keeps a complete “map” of the picture as the spots are turned on and off. The programmer instructs the system to “draw” lines, arcs, lettering. He can also invoke operations on entire areas with instructions for copying, shifting, transliterating, zooming, and dissolving and filling areas. [Stan VanDerBeek. “New Talent—The Computer” in Art in America, vol. 58 (1970) p. 91.]
https://www.youtube.com/watch?v=Wrc1c8g2FPk
More Information:
http://www.cinegraphic.net/article.php?story=20110806123405773